Hello and welcome … and apologies for leaving my old, outdated site up for so long that people were trying to get ticket for gigs which actually took place a year ago!
I’ve finally made the switch to WordPress to make it easier to add new content, and I’ve started a project of uploading dots and Youtube clips of tunes that I’ve written over the years – click the Tuneslink. More to follow!
Please let me know what you think with the email form on the Contact page or via Twitter.
Here’s a tune I wrote when I was experimenting with different phrase lengths and structures – trying to find out how irregular a tune can be and still work by ear, really. I used to play it in the English Acoustic Collective, and taught it on the EAC Summer School one year.
And here are Sam and I playing it at a house concert in Cambridgeshire … a little bit quicker than I usually would and with a few ‘variations’ from me the first time through as I remembered it! I usually play it AABBAABBCC, as we do here.
Here’s a tune I made up years ago, when I was working with clog dance group 6 Foot 3. I was trying to write a tune in which the A and B parts work on top of each other, which they do! The chords are open to variation, of course, but I really like it if it stays hanging at the end of each part and doesn’t resolve to the D chord until the start of the next part. By G/A I mean a g chord over an A root, but any sort of open, ambiguous, unresolved chord it fine! I sometimes use a G instead of the B minors, or an E minor instead of the G, and so on.
Here it is played by Sam Sweeney and I, when we were part of the Fay Hield Trio:
Tim van Eyken and I recorded it on our album One Sunday Afternoon way back in 2001, link to follow. It was also recorded by Meridian, who wrote a cool tune called The Road to Paignton to follow it, and also by Bjönsdotter • Reid. Happy playing…
Two tunes I wrote while working in a trio with Nancy Kerr and James Fagan around 2008/9, both inspired by contemporary old-time tunes. In Request Stop I usually replace the first bar of the A and B part repeats with the fifth bar of the respective part, if that makes any sense!
And here we are playing the set at Cheltenham Folk Festival in 2008…